Unit
2: Asian Roots
Grades
1-2
PDF
Version
Lessons:
What is the Immigration District? The
Immigrant Experience, Celebrations and Traditions
of the International District, Contributions
of the People of the International District, Changes
in the Community, Holding on to Tradition with
Folktales, Travel to the International District
Addendum
Art
Lesson
Taiko
Drumming
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| Painting
found on building in Park, Seattle International District. |
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Introduction:
Seattle’s International District, just south of downtown, is
a unique community. It is the only community in the continental U.S.
in which Vietnamese, Chinese, African American, Filipinos and Japanese
settled together to build one neighborhood. This unit studies this
model of cooperation and friendship by learning about the people,
their celebrations, the history and how changes in technology have
affected them. Students use materials from the Wing Luke Asian Museum’s
Immigration Box to learn geography and understand what the immigrant
experience is like. We see the contrast of peoples in our investigation
of the holidays and celebrations of the International District. We
will come to understand the preservation of traditions and values
in our study of folktales. With cameras, students travel to the community
on a field trip and take pictures of important sites. They will use
these pictures to prepare a slide show presentation. The unit ends
with a celebration of the traditions studied and the blending of cultures
in the “international
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Desired Academic Results
Essential Academic Learning
Requirements in Social Studies
History
EALR #1 The student examines
and understands major ideas, eras, themes, developments, turning
points, chronology, and cause-and-effect relationships in U.S.,
world and Washington State history.
1.1 Understand historical time, chronology and causation
1.2 Analyze the historical development of events, people, places
ad patterns of life in the U.S., world and Washington State history
1.3 Examines the influence of culture on U.S., world and Washington
State history
EALR #3: The student
understands the origin and impact of ideas and technological developments
on history and social change.
3.1 Explain the origin and impact of an idea on society
3.2 Analyze how historical conditions shape ideas and how ideas
change over time
Geography
EALR #1 The student uses
maps, charts and other geographic tools to understand the spatial
arrangement of people, places, resources and environments on the
Earth’s surface.
1.1 Use and construct maps, charts and other resources
EALR #2 The student understands the complex physical and human characteristics
of places and regions.
2.1 Describe the natural characteristics of places and regions
2.2 Describe the patterns humans make on places and regions
2.3 Identify the characteristics that define the Pacific Northwest
and the Pacific Rim as regions
Overarching Understandings
• The International
District is a small community within a larger community, with people
belonging to many groups
• Holidays, celebrations and folktales help people retain
and pass down their culture and traditions
• People make changes to adapt to a new environment
• The people of the International District have made many
contributions to our region
• The International District Community’s appreciation
for ethnic and cultural diversity is an important model from which
to learn
What the Students Will
Understand
• Where the International
District is located
• The countries from which the people of the International
District originated and where they are located on a map.
• What immigration is and reasons why people immigrate
• Unique features of the International District
• The role holidays, celebrations and folktales play in teaching
culture, traditions and values
Overarching Questions
• What traditions
and values are being encouraged through celebrations, holidays and
folktales?
• How have changes in technology influenced the International
District?
• How has the International District changed over time?
• What can we learn from the International District?
Unit Questions
• Who is an immigrant?
Where did your family come from? To what groups do you belong?
• What are the Asian countries and where are they located
on the map?
• What factors brought different groups of Asians to this
country? What hardships did they face?
• How have the people of the International District worked
together for the good of the community?
• What celebrations are important to groups within the International
District?
• What food is served in the International District?
• How have the people of the International District contributed
to the community?
• What do I enjoy that they have contributed?
• What businesses are in the International District?
• Why are more Asian-Americans living in all areas of the
Puget Sound and not just in the International District now?
• What are some of the folktales from Asian countries? What
values are they teaching?
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Assessment:
The Evidence That Will Demonstrate Student Understanding
Performance Tasks and Projects
• After listening to several stories tell of the immigrant
experience, students will use a map to orally retell the story of
how and why one character came to the United States, and what life
was like after s/he arrived.
• Students will compare and contrast the celebrations of the
International District with a celebration the student observes at
home.
• In groups of three or four, students will act out a favorite
Asian folktale or share a craft or object that is significant to
an Asian culture. Students need to tell what value is being taught
through the folktale or use of the craft or object.
• Students will draw and write about two pictures that show
contributions that Asian-Americans have made to this area.
• The students will act as a tour guide by creating a short
slide show using PowerPoint. While on the field trip to the International
District, students will take photographs of different site. These
pictures will be scanned in to the computer by the teacher. Students
will describe the sites in the photographs orally and in writing.
They should demonstrate they know the name and function of three
places in the International District.
Other Evidence
• Informal
class observation and discussion
• Cooperative group work
• Involvement beyond the prepared lessons – For example,
sharing family stories, songs, food and experiences that relate
to the topic of immigration
• Self-assessment of the students’ contribution to the
PowerPoint
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Learning
Experiences and Instruction
Knowledge
and Skills
•
Create a PowerPoint presentation
• Basic typing skills
• Read a map of the world
• Read a map of the International District
• Locate countries in Asia
• Use a camera
• Sequence events on a timeline
• Oral speaking
Field Sites
Tai Tung
Restaurant
655 S King St.
Tai Tung
is the oldest continuously operating Chinese restaurant in the International
District. Call ahead to make reservations.
Uwajimaya
519 6th Ave S
The largest Asian grocery and gift store in the Pacific Northwest.
It also houses the Kinokuniya bookstore, the largest Japanese bookstore
in the Northwest.
Wing
Luke Asian Museum
407 Seventh Avenue South,
Seattle, Washington 98104
Phone (206) 623-5124 Fax 206-623-4559
Education and Tour Information 206-623-5190
Hours: Tuesday- Friday, 11a.m. to 4:30 p.m.
Saturday and Sunday, 12 to 4:00 p.m.
Admission: $2.50 adults
$1.50 students/ seniors
$ .75 children 5 to 12
Thursdays are free
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This
tile painting can be viewed at the Wing Luke Museum, Seattle
International District. |
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Lessons
Part I: What
is the International District?
1. Begin the unit by
reminding students of the workings of a community. What is a community?
What is our community? Where is it? Who makes up a community? Are
the people of a community all alike? The first activity in the Immigration
Kit teaches students to see that communities, or other groupings
of people, are diverse. They are made up of people belonging to
many groups. By asking students questions, they see for themselves
how many different “groups” people in the classroom
represent. Tell students that we are going to learn about an international
community not far from our school. Define the word international.
The people of this community all come from many different groups.
While they all emigrated from countries in Asia, they speak many
different languages and have different reasons for immigrating.
Talk about what it means to be an immigrant.
2. The second lesson
in the kit is a mapping lesson that teaches students the geography
of the Pacific Rim and the countries from which many immigrants
came. Talk about how people from these countries might have reached
Seattle. What modes of transportation could they have taken?
3. Discover the uniqueness
of the International District. It is a community where Chinese,
Japanese, Filipinos, Koreans, Laotians, and Vietnamese settled together
and built one neighborhood. Learn more about the community by reading
about its history in www.historylink.org.
The community is a model of ethnic cooperation. In 1946 the Jackson
Street Community Council was formed to support neighborhood businesses
and social services. Leadership in this organization rotated among
each of the ethnic groups in the community. Visit the map section
in www.historylink.org/cybertours/id/index.htm
it has an interactive map in which students can click on a site,
see a picture of the feature and read a short description.
4. The next lesson in
the kit looks at the history of Asian Immigration to the Pacific
Northwest. There is a timeline of photographs of scenes depicting
Asian immigrants in the area. There are also four cards that explain
different immigration laws; the 1882 Chinese Exclusion Act, the
1924 Immigration Act, the 1934 Tydings-McDuffie Act and the 1965
Immigration Act. This lesson is followed by a 10-minute video called
Faces of America, which uses oral interviews, photos and
historical information to show the immigrant experience of Asian
Americans.
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Part II: The
Immigrant Experience
1. The next five literature-based
lessons come from the Immigration Kit from the Wing
Luke Museum. They tell stories of the immigrant experience,
each focusing on one country at a time. Start with Grandfather’s
Journey by Allen Say. This story reveals how one can find home
in more than one place. When the grandfather is in Japan, he misses
California. When he’s in California, he misses Japan. This
lesson comes with photographs of early, local Japanese immigrants,
a 1920s men’s shirt with a paper collar, a traditional haori
(man’s jacket), and passports from Japanese immigrants.
2. Halmoni and the
Picnic, by Sook Nyul Choi, is a story about a traditional Korean
grandmother and a much more “Americanized” granddaughter.
The story illustrates the hardships faced by those who immigrate
at an older age. Many immigrant families consist of multiple generations.
The balance of traditional values and contemporary American culture
is often an issue. The lesson includes a girl’s hanbok, (traditional
dress), information about traditional clothing, Korean language
flash cards and an audio tape of phrases.
3. Read The Lotus
Seed, by Sherry Garland. This book shows the abrupt upheaval
of a family from Vietnam. The family is typical of the earliest
wave of refugees from Vietnam; high ranking officials with the South
Vietnamese government and their families, who were fortunate to
escape in airplanes shortly after the fall of Saigon in 1975. (Other
later waves of Vietnamese refugees, known as the “boat people”
fled by whatever means they could find, often in old fishing boats.)
The lesson is accompanied by a very young girl’s shirt, called
an ao dai and a lotus seed pod.
4. The main character
in Who Belongs Here? By Margy Burns Knight, is a recent
Cambodian refugee in the United States. He has a rough time adjusting
because the students at school tease him. Other immigrant groups
and their similar experiences are mentioned, illustrating how immigration
has affected their lives. Students may want to role play the situation
in the book. The kit also provides information on how immigrants
become naturalized, including example test questions. The story
Everybody Cooks Rice shows a multicultural neighborhood
in which a girl, while trying to locate her brother to tell him
that dinner’s almost ready, visits her neighbors while they’re
all preparing meals with rice. It brings home the idea that people
from different places have both differences and similarities. The
end of the book is full of recipes.
5. My First American
Friend was written by Sarunna Jin when she was in the third
grade. The story is about making new friends and adjusting to a
new culture. Included in the lesson are Chinese phrase cards and
audio tape and the video, "Angle Island: Island of Secret Memories".
6. Revisit each of the
stories and the experiences of the characters in a short discussion.
Have students use a map to orally retell the story of how and why
one character came to the United States, and what life was like
after s/he arrived.
Part III: Celebrations
and Traditions of the International District
http://www.internationaldistrict.org/events.asp
Provides a schedule of events taking place in the International
District for the entire year. It tells how the event is celebrated
and what kinds of activities are found at the celebration. Spend
time learning about each celebration in your classroom.
/http://www.pbs.org/kqed/chinatown/
This is an informative site with photographs, history of San Francisco’s
Chinatown and view a QuickTime movie.
lhttp://www.chinatown-online.co.uk/index2.html
An excellent site from the UK in regards to Chinese culture, food,
holidays, time in China, Teacher Resources which include Chinese
music, philosophy, legends, how to write your name in Chinese, a
variety of activities and games
1. Before you launch into the schedule of festivities, talk with
your students about celebrations. What does your family celebrate?
Why? What happens at these celebrations? Who participates? What
traditions are observed at these celebrations? What values are being
taught and encouraged? Make a list of all the celebrations students
in the class observe. This can reinforce one of the earliest lessons
about how we belong to many different groups. How are these celebrations
similar? How are they different?
2. Check out Celebrate!
in Southeast Asia, by Joe Viesti and Diane Hall from the Teacher
Resource Center at the Seattle
Asian Art Museum. The resource has information about the festivals
and celebrations of Thailand, Vietnam, Laos, Cambodia, Philippines,
Singapore, Malaysia and Indonesia. The first celebration in the
school year calendar is the Hmong New Year. The highland Laotian
Hmong Community celebrates their New Year in the fall by featuring
art, exhibits, games, crafts, traditional performers in stunning
costumes and demonstrations of Hmong needlework and quilting.
3. The Immigration Kit
from the Wing Luke Museum has
great resources for celebrating the Chinese New Year held in February.
Read Dragon Parade by Steven A. Chin. The story is about
a Chinese immigrant who organized the first Chinese New Year celebration
in San Francisco in 1861. Use the Chinese New Year Packet which
includes a short slide show of a Dragon Parade, a small statue of
a dragon, a paper lantern, a money envelope, information for the
teacher and several art activities. Obtain a copy of Lion Dance
by Kate Waters and Madelin Slovenz-Low or watch the Reading Rainbow
video. Make individual paper bag lions or one large class lion to
be used in a lion dance and hung on the wall. Make Chinese
lanterns. Explore Chinese characters
and brush strokes using Chinese brushes and black paint. Add these
to lanterns and write the characters for “Gong Hay Fat Choy!”
or “Happy New Year!” Make a Chinese dragon using butcher
paper. Take the artwork and dragon on a parade through the school
to have your very own dragon parade. Or, have each student make
their own dragon mask.
4. The next celebration,
soon after the Chinese New Year, is Tet, the Vietnamese New Year.
Follow the lesson in the Immigration Kit. It uses a non-fiction
book called, Hoang Anh, a Vietnamese American Boy by Diane
Hoyt-Goldsmith. This book describes an immigrant boy and his life
in California and culminates with the celebration of Tet.
5. The Cherry Blossom
and Japanese Cultural Festival takes place in April. It celebrates
Japanese culture and friendship between the Japanese and the United
States. Invite a guest speaker to come into the classroom to talk
about the event. Learn about Seattle’s sister city Kobe.
Find out when and why this partnership began. Why is this important?
Arrange to be pen pals with a Japanese elementary school. Exchange
letters, drawings and photographs. When students take their field
trip to the International District be sure to visit the Kobe Terrace
Park. It has Japanese pine and cherry trees and a stone lantern
that were gifts from the people of Kobe.
6. The summer festival
is a two-day street fair in July in which all the different “groups”
in the international district celebrate their community. They listen
to music, buy and sell crafts, view art, see cultural acts, eat
food from all the different restaurants in the community and browse
the business booths. Use this celebration as a model for having
one in the classroom at the end of the unit.
7. The last celebration
of the International District weaves in traditions from people in
the International District and traditions of the Seattle community.
The Chinatown
Seafair Parade occurs during Seattle’s Seafair Celebrations.
Seafair is a long tradition in the Seattle Community. Its mission
is to connect and celebrate the community spirit of the Puget Sound.
Some of the events include a Milk Carton Derby, Miss Seafair competition,
Torchlight Run, Torchlight Parade, fleet arrival and tour, hydroplane
races, an air show and community festivities. In each community
in the city of Seattle, there are events celebrating Seafair. The
International District is no exception. They celebrate with a parade.
The parade consists of a colorful Chinese Girls’ Drill Team,
Seafair clowns and pirates, the Miss Chinatown Court, a fabulous
100-foot Chinese Dragon twisting and waving through the street dancing
vigorously, along with many other entertaining groups. Talk about
the significance of this celebration. This is a new tradition to
the people of the International District, compared with the older
traditions the people celebrate after having learned about them
from their ancestors. What are the people of the International District
celebrating? What does this mean? To what groups do they belong?
Their participation demonstrates their membership to the larger
Seattle and Puget Sound communities.
8. Discuss the celebrations
the students studied. What values are being promoted by these celebrations?
How do you know? Have students orally compare and contrast the celebrations
studied. Have students write and draw about a celebration their
family observes. Tell how this celebration is the same as one celebrated
in the International District and tell how it is different.
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Part IV: The
Contributions of the People of the International District
The contributions of
the people of the International District are included in this unit
to promote understanding and appreciation for diversity in our community.
It is important for students to see how the larger community, Seattle,
King County and Washington State benefit from their contributions.
Separating it from the rest of the unit, however, is not necessary.
Contributions are seen throughout this unit when studying the history
of immigration to this region, learning about the traditions and
celebrations that are observed and investigating how the needs of
the community change over time. This is a gigantic topic that students
will learn about in greater depth when they study the Early Asian
Immigration unit for 3rd and 4th grades. If a class in your school
is studying this unit, have them share their projects with your
students regarding the contributions early Asian immigrants made
to this region. Research the contributions of Asian immigrants listed
in the History Link website.
It provides much information about Asian-Americans who have been
elected and appointed to government offices, maintained businesses
and served the community.
1. Begin by talking about
how we make contributions to our community. Why is it important
to help the community? What are some examples of contributions people
have made to our community? To our school? What are examples of
contributions you make to your community, school or family? Talk
about how the people who put together the Immigration Kit from the
Wing Luke Museum that we’ve enjoyed so much contributed
to our classroom. Students can begin thinking about contributions
an element of being a citizen of a community by drawing and writing
about it. Visit www.densho.org
to hear and read testimonials from Japanese Americans about
their experiences. This is a collection of irreplaceable first hand
experiences and memories that by Asian Americans. You will find
text and short video interviews from several individuals. Ask students
to think about the contributions they think they’ll see when
they take their field trip to the International District. List their
ideas on the board. Ask them to think about what they learned from
the www.densho.org website. What contributions do you remember seeing
and reading about? Tell students that we are going to see some of
the contributions members of the International District community
have made.
Local contributors to
think about and research could be Wing Luke, Goon Dip, Gary Locke,
Kichio Allen Arai, and Liem Tuai. There are many more. Consider
looking at businesses, theater groups, artists, architects, non-profit
groups or contacting Wing Luke for oral histories.
Part V: Changes
in the Community
1. Talk to students about
how our community has changed overtime. How have changes in technology
brought about changes in our community? Relate this to transportation
technology and remind them of what they learned in Kindergarten
when they studied Getting
to Know Your Community. The International District has also
experienced many changes. Investigate the concerns of people from
the International District when Interstate-5 was built. Many were
fearful that it would have devastating consequences because it would
travel through the heart of the International District. How has
the community adapted to this change? What are their thoughts about
the freeway now? Be sure to look at the art on the pillars of the
highway along Jackson Street when you take your tour of the community.
2. Investigate the concerns
of the people in the International District when the Kingdome was
proposed. Changes in technology allowed the city of Seattle to build
the largest concrete dome in the world. What brought about the need
for such a facility? What changes in the community caused it to
see the need for two new stadiums in place of the Kingdome? How
did the International District adapt to the stadium? What are their
thoughts about the destruction of the Kingdome, the building of
Safeco Field and the plan to build a new stadium?
3. The students’
knowledge of grocery stores makes including Uwajimaya a fun piece
to study. Uwajimaya is both the largest Asian grocery and gift store
and the largest Japanese bookstore in the Northwest. And it has
plans to expand. It started as a Tacoma fish market in 1928. It
thrives just walking distance away from Viet Wah, the largest Southeast
Asian supermarket in Seattle. How does this demonstrate the changes
in the needs of the community?
Part VI: Holding
on to Tradition with Folktales
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| Acting
out a folktale, Japan. |
This next section
looks at the folktales of the different countries from which people
of the International District immigrated and studies the traditions
and values that intended to be passed on through storytelling. There
is an endless supply of folktales published. Consider using Kamishibai
story cards to study Japanese folktales. Kamishibai are traditional
cards used to tell a story. They also serve as a great writing activity
where the class can write its own Kamishibai by creating new cards.
See a short list of highly recommended folktales at the end of this
unit. After reading many folktales, have students work in groups
of three or four to act out a favorite. Students need to be able
to explain what value is being taught through the folktale. Perform
your folktales for another class.
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Part VII: Travel
to the International District
1. Students should be
familiar with the sites in the International District after having
spent time on www.historylink.org/cybertours/id/index.htm.
Read through the information on the walking tour pamphlet available
at the Wing Luke Museum. Find the sites on the map.
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| Pagoda
in Park Seattle's International District. |
Sidewalk
grocery store in Seattle's International District. |
2. Talk
to students about your expectations for the slide show. Help them
get comfortable using the camera. Talk about what types of things
might make good pictures for a slide show. What information will
you need to know about the object you’re photographing? How
will you record that information so that you don’t forget
when it’s time to make the slide show?
3. Visit the Wing
Luke Asian Museum. This is a one-hour tour that ends with an
art activity. Take a walking tour of the International District.
Visit Uwajimaya. Eat lunch at the Tai Tung Restaurant. See the gifts
from our sister city at the Kobe Terrace Park.
4. After students return,
develop the film and complete the slide show of a tour of the International
District. Students will need help scanning in photos and creating
this multimedia project. Have students present it to another class.
Have students self-assess their projects by answering these questions:
What did you do to help the group? What part of your presentation
were you happy with? What did you learn? What would you do differently
next time?
5. Conclude the unit
by having a final celebration modeled after the street fair. Celebrate
the cultures and traditions studied in the unit as well as those
of the students in the class. Invite parents to prepare a favorite
family dish. Sing songs, play games and present skits or folktales
to parents.
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Resources
Teacher Resources
Burke Museum of Natural
History and Culture
(206) 543-5590
The China Box
Boulder Run Enterprises
5001 Whitehorse Road
Hillsborough, NC 27278
Chinabox@selway.umt.edu
www.thechinabox.com
East Asia Resource Center
Jackson School of International Studies
University of Washington
(206) 543-1921
This is a wonderful resource! You can borrow Kamishibai cards, the
China Box and tons of other classroom goodies.
Elmer, Margaret and Beall, Charlotte.
Hands On China.
Published by the Children’s Museum.
Kamishibia for Kids
Cathedral Station
PO Box 629
New York, NY 10025
(212) 663-2471
www.kamishibai.com
Seattle Asian Art Museum’s Teacher Resource Center
(206) 625-8950
www.seattleartmuseum.org
Click on “Teachers” to view their collection. They have
curriculum, books and suitcases that can be borrowed for free. Also
see their online curriculum and folktale.
Social Studies School Service
1-800-421-4246
access@socialstudies.com
http://socialstudies.com
Catalogue of resources, lesson plans and links to other sites.
Wing Luke Asian Museum
407 Seventh Avenue South,
Seattle, Washington 98104
Phone (206) 623-5124 Fax 206-623-4559
Education and Tour Information 206-623-5190
Hours: Tuesday- Friday, 11a.m. to 4:30 p.m.
Saturday and Sunday, 12 to 4 p.m.
Admission: $2.50 adults
$ 1.50 students/ seniors
$ . 75 children 5 to 12
Thursdays are free
Immigration Kit from the Wing Luke Museum
Kit rental is $5 per week with a $35 deposit.
www.wingluke.org
Guest Speakers
Living Voices through the Wing Luke Museum
Cathy Spagnoli, author of Nine-In-One Grr! Grr!
Story Teller
(206) 463-4054
Cost: $200 - $600
Websites
www.askasia.org/index.htm
An excellent source of teaching materials for elementary through
secondary level.
www.historylink.org
An excellent site for finding information about the history of the
International District, events in Seattle, important people, etc.
www.seafair.com
A site devoted to the Puget Sound Community celebration, Seafair.
www.wingluke.org
History of Chinatown- International District.
www.chinatown-online.orguk/
Information about Chinese holidays.
www.densho.org
Interviews with Asian Americans
Events Happening in the International District.
Folktales and
Other Children’s Literature
Blia Xiong adapted by
Cathy Spagnoli. Nine-In-One Grr! Grr! A Folktale from the Hmong
People of Laos. San Francisco. Children’s Book Press.
1989.
When the great god Shao promises Tiger nine cubs each year, Bird
comes up with a clever trick to prevent the land from being overrun
by tigers.
Demi. The Empty Pot.
New York. Holt. 1990.
When Ping admits that he is the only child in China unable to grow
a flower from the seeds distributed by the Emperor, he is rewarded
for his honesty.
Demi. Liang and the
Magic Paintbrush. New York. Hold, Rinehart and Winston. 1980.
A poor boy who longs to paint is given a magic brush that brings
to life whatever he pictures.
Lum, Darrell H. Y. The
Golden Slipper A Vietnamese Legend. Mahwah, N.J. Troll
Associates. 1994.
A variation on the Cinderella story, in which a kind-hearted young
woman meets her prince with the help of animals she has befriended.
Sakurai, Gail. Peach
Boy: A Japanese Legend. Mahwah, N.J. Troll Associates. 1994.
When an old couple finds a baby inside a peach floating on the river,
they raise him as their son, and he grows up to fight the terrible
demons who have terrorized the village for years.
Waters, Kate Madeline
Slovenz-Low. Lion Dancer: Ernie Wan’s Chinese New Year. New
York. Scholastic Inc. 1990.
Describes six-year-old Ernie Wong’s preparations, at home
and in school, for the Chinese New year celebrations and his first
public performance of the lion dance.
Video
Lion Dancer,
Reading Rainbow
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Top:
Entrance to Tai Tung Restaurant.
Seattle
International District.
Below:
Entrance to Wing Luke Asian Museum. |
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Top:
Large puppet, Japan.
Bottom:
The Golden Temple, Japan.
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Art
Project
A Famous Japanese
Woodblock
Katsushika Hokusai
The Great Wave Off Kanagawa
Artist Background: Hokusai was born in 1760 near
present day Tokyo. His family was poor and he was apprenticed to
a woodblock engraver. The woodblocks he created were called ukiyo-e,
pictures of the amusements of everyday life in Japan. Over his lifetime,
Hokusai made more than 10,000 woodblock prints and 40,000 drawings.
Drawing was Hokusai passion. He traveled constantly always carrying
his sketchbook and brushes. Although he could draw very realistically,
many of his works are almost cartoon like or stylized like a stage
setting. When the yet-to-be French impressionists first saw Hokusai’s
work they were astounded by his beautiful use of color and flowing
lines. The work of Hokusai had a dramatic effect on the progression
of these artists. Look at Van Gogh’s Irises for a clear example!
Hokusai was a character. He was always out of money, changed his
name over 30 times, had three wives and many children, and didn’t
start his most famous works until he was 68! What he is best known
for today is his Mt Fujiyama series, The Thirty-six Views of Mt
Fuji, which he worked on until his death in 1849 at the age of 89.
The Great Wave Off Kanagawa is part of the Mount Fuji series and
has been used on book covers, on television, and in magazines. Unlike
many famous art works, The Great Wave Off Kanagawa is not an oil
painting but a woodblock print. It is a symbol of the strength and
power of nature and the sea. Look closely; the focal point is not
the wave, nor the men in the boats, but Mt. Fuji standing calmly
and solidly in the middle background!
Lesson Ideas
Share the book by Deborah Kogan Ray, mentioned above with your
class. It will give them lots of information, insight, and a familiarity
with Hokusai’s style.
Locate prints of the Great Wave Off Kanagawa for students
to examine. Have them look for the focal point; discuss how Hokusai
uses perspective, color, line, and form to create tension and beauty
in his woodblock.
Allow children to sketch nature. Make little sketchbooks and send
them out on the playground to observe closely and draw what they
see. If you have blossoming trees in bloom in the spring, a view
of Mt. Rainier, or flowers opening up, alert your young artists
to these subjects, very similar to Hokusai’s!
Of course, making potato prints or any other print making materials
would tie in with a lesson on Hokusai.
Resources
Hokusai, The Man Who Painted a Mountain by Deborah Kogan
Ray is a great biography of the artist. It is in the Highline School
District system and the King Library System County Library System.
Prints of the Great Wave Off Kanagawa can be found in
art books, poster shops, card shops (Papyrus), and art museum gift
shops.
Websites
http://www.ibiblio.org/wm/paint/auth/hokusai/
This site has a biographical overview of Hokusai, the woodblock
image The Great Wave and links to impressionist artists
http://spectacle.berkeley.edu/~fiorillo/welcome.html
An extensive collection of Japanese prints with an explanation of
Ukiyo-e prints
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Addendum
Suggested reading list
regarding Asian immigration, as well as student projects including
a unit on Taiko Drumming,and background information. |
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TAIKO
DRUMMING
“If
you can say it, you can play it." Traditional
saying
Overview:
Taiko is known as the modern art of traditional Japanese drumming
in a group ensemble that uses martial art like movements and "ki-ais"
(shouting to encourage high energy.) The performance may also dramatize
Japanese folktales and use props.
Drums were
used in ancient times to signify the boundaries of a village. Peasant
events such as the rice harvests or dance festivals were celebrated
with drums. Drums were used to pray for rain and other religious
ceremonies. Drums lead warriors into battles in order to scare off
the enemy. They were included in Japanese folklore. In one example,
by drumming, the Sun God would come out of its cave. Japanese culture
has celebrated the athleticism of traditional drumming techniques
for thousands of years.
Taiko became
popular around the world in the 1950's and came to the U.S. in 1968
by Grand Master Seiichi Tanaka, who wanted it to be a common household
word, like chopsticks and sushi.
Taiko means
"big drum," but there are many shapes and sizes. The dojo
or band can include other rhythmic instruments. The sound made by
striking the drum is defined by a syllable, and to play the rhythmic
phrase the student copies a pattern of Taiko syllables.
Uchite
(Taiko drummer), can wear loose fitting happi (short coat), with
an obi (belt), hachimaki (headband), and tabi (shoes with big toe
separated). The crest symbolizes Taiko and can be reproduced upon
their clothing and drum. It stands for thunder.
How
to get started without the real Taiko drums?
1. What
sizes are the drums? There are basically three sizes:
- Odaiko
- Big Drum
Example: upside down plastic garbage cans (ask the PE teacher at
your school), wood barrels, plastic lunch tubs.
- Jozuke
- Medium Drum
Example: plastic pickle containers (free from Dairy Queen)
Plastic buckets, plastic laundry containers, old tires
- Shime
- Small Drum
Example: Plastic containers from hardware store, gallon ice cream
containers.
Use clear
packing tape to make a drum surface, or simply turn container upside
down.
2. What
do I use for bachi?
Borrow rhythm sticks from the music room.
DRUM
VOCABULARY
Dojo - Japanese
term for school or group in training
Hitori de - Play alone
Ishoo Ni - Play together
Ki ai - the shouts and verbal cues Taiko players use to keep time,
increase their energy, and encourage one another.
Owari Mashoo - Stop, finish, quit
Sensei - Teacher
Tataki Mashoo - Let’s beat the drum!
Uchite - A Taiko drummer
How to play…the
sound of the drum is the “note” Syllables:
Do or Don - strike hara
Ka or Ko - strike fuchi
Do-Ron or Do-Ka - strike 2 times on hara
Ka-Ra - strike 2 times on fuchi
Do-Don - strike 2 times on hara, second is stronger
Su - rest (silence)
Tsu - play lightly
Practice:
A. Don Don Don Don
B. Doka Doka Doka Doka
C. Don__ Don__ Ka-Ra Ka-Ra Ka-Ra
D. Don__ Doka Don__ Doka
1. Students
can make up their own phrases, solo or with a partner, and share
with class.
2. The composer(s) phrase can be written on 2’x 4”lined
tag board.
3. The phrase can be named. Suggestion: “The Gallop”
or “The Kangaroo.”
4. Dojo (drum players) can learn and play each other’s phrases.
5. Combine phrases together.
6. The bachi can also be hit together.
7. Say the phrase aloud as they are played.
8. Use the command “Owari Mashoo” to stop, finish, quit.
9. Use the command “Tataki Mashoo” to start playing.
10. Students rotate to different size drums after 3-5 minutes.
11. Have Odaiko group play alone or “Hitori de”
12. Have Jozuke and Shime drum Uchites (players) play “Ishoo
Ni.”
(In other words, together.)
13. Students and teacher can embellish phrases with movement of
arms, body turns, switching places, kicks, and lunges. Think of
karate, martial arts, or dance.
14. Add props such as fans, scarves, or Japanese costume.
15. Teach a Japanese dance such as Tanko Bushi (The Coal Miner)
or Bon Odori (The Fan Dance) using small steps and small hand gestures.
Warm-Up
to Taiko
1. Start
class in a circle. Each student has a pair of sticks or bachi. All
hit rhythm sticks together seven times counting in Japanese. On
“8” or hachi, students are silent, with their bachi
apart, while one student says: “SU” (which means rest).
Go around circle until all have had a turn. (ichi, ni, san, shi,
go roku, shichi, hachi, “SU.”) On “SU”,
use the diaphragm in the body’s upper abdominal, in order
to get a strong, sharp sound. (Can be done by simply clapping.)
2. Without
sticks, teacher and students participate in stretch and strength
exercises. All participate while counting to “10” in
Japanese for each exercise. (ichi, ni, san, shi, go, roku, shichi,
hachi, kyu, jyu) Students may even offer their own ideas for an
exercise to share with the class. Since Taiko uses a strong stance,
try lunges (one leg bent, one straight) while making large circles
with arms. Try some kicks, turns, punches, balances, and jumps.
3. Students
work in partnerships to make a 10-count exercise. The two should
try to integrate their movements together. They may mirror each
other, work side by side, or compliment each other’s movement.
(Emphasize that Taiko uses movements while beating the drum.) Students
may elect to show their exercise to the rest of the class and teach
it. Eventually, the activity can be coupled with the actual Taiko
drum rhythms.
4. The bulk
of the class time is spent practicing drumming. Start with the easiest
and add more rhythm sentences along the way. Try putting two together
and add some movements. Rotate students to the three different sized
drums. With all the noise it can be beneficial to create a signal
to gain everybody’s attention.
5. Clean
up the drums and sticks and have students form two lines from each
corner of the gym. Have students run to center, then to opposite
corner, alternating one person at a time. Try adding a jump or turn
in the center.
6. Finish
class with a circle and a bow.
ALTERNATIVE ACTIVITIES
1. Make
a practice drum. Learn the Japanese names to all the parts.
2. Make a hachimaki (headband) or Obi (belt)
by tearing cloth into long strips. Add a crest.
3. Watch a performance in person or on video.
4. Visit a local youth (10-18 years) Taiko class. Stan Shikuma’s
Kazedaiko
Phone: 206.236.2753
5. Invite the Hyogo Business and Cultural
Center to do a free class lesson.
6. Make a mask based upon a Japanese folktale.
Resources
Books
Bernson,
Mary Hammond and Betsy Goolian. Modern Japan: An Idea Book for
K-12. Publication Manager/Social Studies Development Center/
Indian University/ 2805 E. 10th St./ Suite 120/ Bloomington, Indiana
47405
phone: 812-855-3838.
This book can help develop lessons on creating a family crest and
other traditions.
Coerr, Eleanor.
Sadaka and the Thousand Paper Cranes. Picture version.
Miller,
Kathryn Shultz. A Thousand Cranes. 1988.
Sakade, Florence. Japanese Children’s Favorite Stories.
(l958)
This book has folklore about the tengu, a kind of Japanese trickster
figure.
Weikart,
Phyllis S. Teaching Folk Dance/Successful Steps. Materials
from High/Scope Press. 1-800-40 PRESS. Music recordings: Rhythmically
Moving.
Websites
Education@seattleinternationalorg
www.seattleinternation.org
Seattle International Children’s Festival
Hotline: 206.684.7336
Mosaic teacher workshops each spring in Seattle and Tacoma, WA.
Workshops are based on the events at that years festival of performers
around the world and are easy to take right back to the classroom
to use.
www.taiko.com
Premier Taiko resource on the web. Has links to many groups and
Taiko makers, history, instructions and more.
www.seattlekokontaiko.org/
First Taiko group formed in Seattle, 1980. Local, free concerts.
www.studyguide.sundance.org/taiko
Introduces Japan to school aged kids 10-14 by way of other countries.
Fun paper crane peace project explained. Book study guides and lesson
plans.
www.origami.as/home
Click on “instructors” click under “specific items,
and you can learn to make a paper crane.
www.rhythmweb.com/taiko
Learn how to make simple rhythm instruments and start a drum circle.
www.hyogobcc.org
Hyogo Business and Cultural Center/ 2001 Sixth Ave./ Suite 2610/
Seattle, WA 98121 206.728.0610.
Education and Culture outreach program. Free visits to your school
to teach mini lesson plans about Japan.
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Use these crest symbols
on headbands (hachimaki) or other projects

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Japanese
Calligraphy - Counting to Ten

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