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Art-warfare guerrillas attach ball-and-chain to Hammering Man on Labor Day, September 6, 1993. Essay 3542 : Printer-Friendly Format

On Labor Day, September 6, 1993, art-warfare guerrillas attach a 700-pound ball-and-chain to Hammering Man, the 48-foot-tall metal sculpture by Jonathan Borofsky that sits in front of the Seattle Art Museum. The prank is a statement about the oppression of working people.

A 12-member group led by Subculture Joe, later identified as Jason Sprinkle (1969-2005), fabricated a six-foot sheet-metal ball, 19 feet in circumference. It was attached to nine links of chain made of plate steel and a five-foot shackle. The shackle was lined with industrial rubber to prevent damage to the sculpture. Two days later, on Wednesday September 8, the Seattle Engineering Department removed it.

On October 22, 1993, the ball-and-chain was auctioned by Allied Arts at the request of the Seattle Arts Commission at the Stouffer Madison Hotel as part of a fundraiser for the Job Corps. In order to fit through the ballroom doors, the ball-and-chain had to be deformed by ramming it with a truck. The slightly dented guerrilla art was purchased for $1,300 by two collectors from Tacoma, who planned to display it in a building there.

During the week of the auction, vandals painted socks on Hammering Man and spray-painted "Made in USA" on the wall of the Seattle Art Museum.

Subculture Joe (or Jason Sprinkle) was in the news a few years later when he parked a pickup truck containing a heart-shaped, red metal sculpture in Seattle's Westlake Park at 4th Avenue and Pine Street. Words painted on the truck led some to believe that the truck contained a bomb, and police evacuated a nine-block area. Sprinkle was later arrested.

On May 16, 2005, Jason Sprinkle was killed when he was hit by a freight train in Long Beach, Mississippi, where he was visiting his aunt and looking for work. There were no witnesses and it is unclear how this happened.

Ronald K. Fitter, "No Subtlety In The 700-Pound Statement Of Guerrillas Art-Fare," The Seattle Times, September 7, 1993, p. B-1; Mark Williams, "Freed At Last, Ball-And-Chain Finds New Home," Ibid., October 23, 1993, p. A-1; Jean Godden, "Hammering Man Hit By Vandals," Ibid., October 22, 1993, p. B-1; Sheila Farr, "Subculture Joe Staged Guerrilla Art Events," The Seattle Times, May 24, 2005, website accessed May 24, 2005 (
Note: This essay was updated on May 26, 2005, and the date was corrected to September 6 (not 7) on August 14, 2007.

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Hammering Man (Jonathan Borofsky, 1991), Seattle, 2001
Photo by David Wilma

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