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Mary Davenport-Engberg debuts Seattle Civic Symphony Orchestra in concert at Metropolitan Theatre on April 24, 1921.
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On April 24, 1921, a new conductor, Mary Davenport-Engberg (1881-1951), debuts the Seattle Civic Symphony Orchestra in concert at Seattle's Metropolitan Theatre. After experiencing financial ups and downs since its founding in 1903, the Seattle Symphony has faltered in the early 1920s and Engberg -- a virtuoso violinist widely said to be the only woman conductor of a symphony in the nation -- steps up to help fill the town’s cultural void. The Post-Intelligencer praises the afternoon performance, noting that the 90-member ensemble displays a "surprisingly high level of excellence."
A Homegrown Talent
Mary Cornwall was born in a covered wagon en route
from California to Washington in 1881. Her parents, the Reverend John Cornwall
and his wife, chose to settle their family near Spokane. While still a young
girl, Mary’s mother died and she was adopted by a local family, the Davenports
of Mount Hope, Washington. In 1890, they relocated to Bellingham and in 1898
Mary was wed to Henry Christian Engberg.
The young couple moved to Europe, where Davenport-Engberg
studied music in both Germany and Copenhagen and where she made her concert
debut as a violinist in 1903. By 1912, she was back home working as a teacher
at Bellingham’s State Normal School, and by 1914 she had organized and begun
serving as conductor for the Bellingham Symphony Orchestra.
The Seattle Civic Symphony Orchestra, 1921-1924
In 1920, the
Davenport-Engbergs moved south to Seattle so Mary could expand her musical horizon.
The Seattle Symphony Orchestra, which had been plagued with organizational and
financial problems, had performed only
sporadically for the past several years, under the baton of John
Spargur. It did have a successful season in 1919, but its finances did not
improve, and it suspended operations after the 1920-1921 season.
This presented a challenge and an
opportunity for a musician of
Davenport-Engberg's caliber, and she stepped into the breach. In the
spring of 1921 she recruited both professional and amateur musicians, formed a group of approximately 90 players, and opened
the 1921-1922 season of what was called the "Seattle Civic Symphony
Orchestra" at the city's Metropolitan Theatre.
Under her leadership this was to be the city's symphony
orchestra for the next three years, and its performances were
welcomed by a town that at the time had no other. Its concerts received
enthusiastic notices, and many musicians believed it to be the most
accomplished orchestra the city had yet seen. The Seattle
Civic Symphony Orchestra would play for the three years,
with Davenport-Engberg ending the final season, and her leadership, in a May 4,
1924, performance. There followed another hiatus, this one lasting two years,
until the organization came together again, under the leadership of Karl
Krueger and using the name "Seattle Symphony Orchestra."
The fragmented history of Seattle's symphony orchestra during
these years has led to considerable disagreement about Davenport-Engberg's
right to be included in an accounting of its leaders. The local newspapers of
the day did not help matters by referring to the orchestra she conducted as
both Seattle Civic Symphony Orchestra and the Seattle Symphony Orchestra.
Some sources maintain that Davenport-Engberg's Seattle
Civic Symphony Orchestra was an entirely different organization from the
Seattle Symphony Orchestra, the name that was used both before and after her
tenure. Others maintain that, as the only symphony orchestra in Seattle during
that time, her group
is properly counted in the symphony's line of succession, and she properly is
included in any list of the orchestra's leaders.
Ninety years later (as of 2012) and hampered by the
orchestra's tangled early history, the debate does not seem to lend itself to
resolution through any citation to specific facts. The divergent positions
hinge primarily on whether or not one believes that Seattle's symphony
orchestra, despite brief periods of not performing, has had a consistent
organizational identity since it was first formed in 1903.
Given the state of the record, the disagreement is at
this point more a matter of opinion than of fact. Being so, the opinion of the
organization itself deserves deference, and the Seattle
Symphony Orchestra does have a clear opinion on the matter. As part of its centennial celebration in 2003, the orchestra prepared a roster of its
leaders, going back to its beginnings in 1903. And on that list, between John
Spargur, whose time ended in 1921, and Karl Krueger, who took over in 1926, is
the name of Mary Davenport-Engberg, and the notation "1921-1924."
There is no indication that Mary Davenport-Engberg was ever troubled
by this issue. She raised two sons, founded and performed with the
Davenport-Engberg Quintet, and
established her namesake Engberg School of Music (at 1702 Belmont Avenue
on Seattle’s Capitol Hill), where she continued teaching students for decades
until her death on January 23, 1951.
"America’s Foremost Woman Conductor to Direct
Concert," Seattle Post-Intelligencer, April 24, 1921, p. 8; Seattle
Post-Intelligencer, April 25, 1921, p.12; Obituary, The Seattle Times, January
24, 1951, p. B-4; Argus, December 19, 1975, p.7; Esther W. Campbell, Bagpipes
In The Woodwind Section (Seattle: Symphony Women’s Association, 1978), 14;
Whatcom (County) Museum of History & Art Website, (www.whatcommuseum.org); Elizabeth Juliana
Knighton, "Mary Davenport Engberg, Pioneering Conductor," The Maud
Paul Signature: Women in Music, Vol. 2, No. 3, August 2008, pp. 36-37 (http://www.maudpowell.org/signature/Portals/0/pdfs/signature/Signature_Autumn_2008.pdf); "What's In a Name," Seattle
Symphony blog website accessed April 12, 2012 (http://blog.seattlesymphony.org/?m=201108);
"50 Most Influential Musicians," Seattle Met website accessed
April 12, 2012 (http://www.seattlemet.com/arts-and-entertainment/articles/1208-feature-50musicians/14/);
"Seattle Symphony Orchestra (Symphony Orchestra),"
Bach-Cantatas.com website accessed April 12, 2012 (http://www.bach-cantatas.com/Bio/Seattle-Symphony.htm); "Seattle Symphony Music Directors and Conductors 1903 to Present," (prepared by the Seattle Symphony in conjuction with its 2003 centennial celebration, in possession of John Caldbick, Seattle).
Note: This essay was revised and corrected on December 5, 2010, and corrected again on December 1, 2011. It was considerably expanded on April 17, 2012.
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